8 3/4 × 12 inches
MASSIMODECARLO is pleased to unveil I CAME TO PEEP, a newly released series of ten unique preparatory drawings by Chicago-based artist Tony Lewis.
These works trace the origins of Lewis's site-specific installation of the same name, created for the University of Chicago in Paris, which opened its new location, the John W. Boyer Center, in 2024.
Tony Lewis and his team during the installation of I CAME TO PEEP at the John W. Boyer Center, University of Chicago in Paris, 2024
The ten drawings reveal the process behind the monumental installation. Each work traces Lewis’s exploration of line, rhythm, and spatial arrangement, translating phonetic notation into abstract marks that are at once visually dynamic and physically charged. Together, they provide a glimpse into the artist's practice and conceptual approach.
The installation and these preparatory works share the same source material: the names of five Black American artists - painters Ed Clark, Beauford Delaney, and Loïs Mailou Jones, writer Richard Wright, and performer Josephine Baker. Lewis transcribes each name using English Gregg Shorthand, a stenographic system that represents sounds rather than letters through abstract, flowing symbols. The result is a series of marks that are simultaneously visual, sonic, and gestural - what Lewis calls a "linguistic portrait." All five artists lived and worked in Paris at different points during the 20th century, and Lewis's work honours their presence, vitality, and creative legacies in the city.
Read here the essay on I CAME TO PEEP, written by author, journalist and critic Janelle Zara.
Video by Bob.
Video by Bob.
Framed mockup for visualization purposes only – artworks are not sold framed.
The Artist
Tony Lewis was born in 1986 in Los Angeles. He currently lives and works in Chicago.
Lewis’ practice focuses on the relationship between semiotics and language to confront social and political topics such as race, power, communication, and labour. Lewis creates drawings using graphite, pencil and paper, mediums the artist uses to trace and develop abstract narratives and reflections on the notion of the gestural. By pushing the boundaries of drawing and the possibilities of abstraction, he expands the use of the “material” of language.
As expressed by Melissa Chiu, Director of Hirshhorn Museum: ‘Lewis has quickly established himself in the contemporary art world by forming a distinct visual vocabulary that integrates poetry and text with the properties of abstraction, and his monochromatic drawings pull from various visual and written sources, ranging from the personal to the political. Separating, rearranging, and erasing text, he shifts the way we move through language to open up new and unexpected readings’.
Lewis' work is in the permanent collections of The Zabludowicz Collection, London; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Museum of Modern Art, New York; Museum of Contemporary Art, Chicago; among others. Lewis participated the 2014 Whitney Biennial at the Whitney Museum of American Art in New York.
Paola Pivi
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Current exhibitions
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