2023

USA, Kaari Upson: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles

2022

GR, Never Enough, Deste Foundation, Athens

USA, On Kaari Upson: Leslie Dick and Audrey Wollen in Conversation, Sprüth Magers, Los Angeles

2021

F, Clay Baby (m.l.), MASSIMODECARLO Pièce Unique, Paris

2019

CH, Go Back the Way You Came, Kunsthalle Basel, Basel

CH, Go Back the Way You Came, Kunsthalle Basel, Basel

D, Door, Open, Shut, Kunstverein Hannover, Hannover

2018

I, In Search Of The Perfect Double, Torre Velasca, Milano

2017

USA, Good Thing You Are Not Alone, New Museum, New York

2016

D, MMDP, Sprüth Magers, Berlin

2015

UK, HOLE, Massimo De Carlo, London

2014

USA, Kaari Upson, Ramiken Crucible, New York

2013

I, Sleep With the Key, Massimo De Carlo, Milano

2012

UK, Baby Please come Home, Massimo De Carlo, London

2011

USA, Kaari Upson, Overduin and Kite, Los Angeles

CH, Statements, Overduin and Kite, Art 42, Basilea

2009

USA, I am bound to have some anxiety about this so please if I say stop, don't stop, Maccarone Gallery, New York

2007

USA, The Larry Project, Chapter 2: The Honeymoon Period, D301 Gallery; California Institute of the Arts, Valencia

USA, Hammer Projects, UCLA Hammer Museum, Los Angeles

2023

UK, Hollow Earth: Art, Caves & The Subterranean Imaginary, The Lewis Glucksman Gallery, Cork

D, Your Home Is Where You’re Happy, Haus Mödrath - Räume für Kunst, Kerpen

CH, Chrysalis: The Butterfly Dream, Centre d’Art Contemporain, Genève

2022

PRC, Inaugural Exhibition, Season One, Start Museum, Shanghai

UK, ECHO, The Artist Room, London

I, The Milk of Dreams, 59. Esposizione Internazionale d’Arte, Venezia

I, 59. Esposizione Internazionale d’Arte, La Biennale di Venezia, Venezia

RL, Dark Light, Realism in the Age of Post truth, Aishti Foudation, Beirut

I, Pupille. Ci fioriscono gli occhi se ci guardiamo Curated by Rita Selvaggio, Casa Masaccio Centro per l'Arte Contemporanea, San Giovanni Valdarno

UK, Raw Nerves, Hannah Barry Gallery, London

UK, Work from Home: Rebecca Acroyd, Heidi Bucher, Emily Moore, Kaari Upson, Siegfried Contemporary, London

UK, Hollow Earth: Art, Caves & The Subterranean Imaginary, Nottingham Contemporary, Nottingham

D, Perspectives of a Collection, Taking Stock and Looking Ahead, Marta Herford, Herford

USA, Perris, Tyler Park Presents, Los Angeles

USA, Shifting the Silence, San Francisco Museum of Modern Art, San Francisco

USA, Everything was beautiful, and nothing hurt, Henry Art Gallery, Seattle

2021

I, Bodywork: Discomfort and Existence, MASSIMODECARLO, Milano

DK, Mother!, Louisiana Museum of Modern Art, Humlebaek

2019

I, May You Live In Interesting Times, 58. Esposizione Internazionale d’Arte, Venezia

I, MCMXXXIV, Massimo De Carlo, Milano

2018

PRC, The artist is present Curated by Maurizio Cattelan, YUZ Museum, Shanghai

2017

USA, Whitney Biennial, Whitney Museum of American Art, New York

USA, Concrete Island, Venus, Los Angeles

USA, Material Concerns and Current Practices, Helen Frankenthaler Foundation, New York

B, Man Alive Curated by Wendy White, Maruani Mercier Gallery, Bruxelles

TR, A Good Neighbour. 15th Istanbul Biennial Curated by Elmgreen & Dragset, Istanbul foundation for culture and arts, Istanbul

USA, Unpacking: The Marciano Collection, Marciano Art Foundation, Los Angeles

2016

UK, Self, Massimo De Carlo, London

USA, No Man’'s Land: Women Artists from the Rubell Family Collection, National Museum of Women in the Art, Washington; Rubell Family Collection, Miami, Miami

USA, Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016, Hauser & Wirth, Los Angeles

N, Adhesive Products, Kunsthall, Bergen

N, Los Angeles - A Fiction Curated by Gunnar B. Kvaran, Thierry Raspail, Nicolas Garait-Leavenworth, Hans Ulrich Obrist, Ali Subotnick, Alex Israel, Astrup Fearnley Museet, Oslo