F210823163929 Yj HAXG

All Doors Open

日期
28.09.2021 | 17.10.2021
画廊
Pièce Unique
文件
PRESS RELEASE
Vlcsnap 2023 06 20 23h49m57s406

The constant thrust of technology propels humanity into the future. Surrounded by screens, consuming an endless array of imagery and information, we are increasingly dependent on electronic devices to navigate contemporary existence. As much of our life takes place on the virtual plane, through smartphones and websites, as it does in the material world. We continually pop in and out of a virtual reality. Humanity’s dependence on technology increased dramatically during the lockdown. Prolonged periods of isolation made us even more dependent on computers and the internet in order to communicate, socialize, shop, work remotely and study. The constant frenzy of information, the growing speed of our reality, has made a moment of peace, of respite from our devices, the ultimate luxury. Doug Aitken’s work examines the inexorable link between humanity, information and technology. His practice consistently questions the impact of modern existence on humankind. In what the artist describes as, “An Agit-prop pop-up”, the exhibition All Doors Open invites the passerby to stop, put away their phones and contemplate. Aitken confronts the viewer with an unexpected moment of calm on a busy street in Paris by subverting the commercial storefront, providing the public with a 24-hour oasis of art. An illuminated female figure resting on a table, the phone out of reach, a bowl of fruit and grocery bag; all pulsating with color, emoting a vocalized soundtrack. One must question, is she exhausted or resting? Either way, she is a reflection of our humanity. An important signal of our growing dependence on technology as well as reminder to take a deep breath and allow ourselves to go off grid. All Doors Open is a mesmerizing invitation into a moment with ourselves.

- Pedro H. Alonzo

Doug Aitken
Doug Aitken

道格·艾特肯1968年生于美国加州雷东多海滩,现工作居住于洛杉矶。


过去的24年里,艾特肯进行了无与伦比的创作,对21世纪的经历持续调查,探索着对图像与叙事的感知。时空的错位混杂着梦幻般的特质。其作品通常采用沉浸式视频装置的形式:单通道视频被投影到建筑上,同时也以文字雕塑、建筑和声音作品及摄影为特色。


艾特肯的作品探索了在一个巨大的工业和环境变化时期,图像饱和及可用性与个人脆弱性之间的鸿沟。相比之下,作品呈现的环境保有一份敏感和冷静。


艾特肯是“FRONTIER ART PRIZE”的首任获奖者,这是一项新的当代艺术奖,旨在支持国际艺术家尝试大胆的项目,挑战知识和体验的界限,以重新想象人类的未来。他也是1999年威尼斯双年展“金狮奖”的获得者。