All Doors Open
The constant thrust of technology propels humanity into the future. Surrounded by screens, consuming an endless array of imagery and information, we are increasingly dependent on electronic devices to navigate contemporary existence. As much of our life takes place on the virtual plane, through smartphones and websites, as it does in the material world. We continually pop in and out of a virtual reality. Humanity’s dependence on technology increased dramatically during the lockdown. Prolonged periods of isolation made us even more dependent on computers and the internet in order to communicate, socialize, shop, work remotely and study. The constant frenzy of information, the growing speed of our reality, has made a moment of peace, of respite from our devices, the ultimate luxury. Doug Aitken’s work examines the inexorable link between humanity, information and technology. His practice consistently questions the impact of modern existence on humankind. In what the artist describes as, “An Agit-prop pop-up”, the exhibition All Doors Open invites the passerby to stop, put away their phones and contemplate. Aitken confronts the viewer with an unexpected moment of calm on a busy street in Paris by subverting the commercial storefront, providing the public with a 24-hour oasis of art. An illuminated female figure resting on a table, the phone out of reach, a bowl of fruit and grocery bag; all pulsating with color, emoting a vocalized soundtrack. One must question, is she exhausted or resting? Either way, she is a reflection of our humanity. An important signal of our growing dependence on technology as well as reminder to take a deep breath and allow ourselves to go off grid. All Doors Open is a mesmerizing invitation into a moment with ourselves.
- Pedro H. Alonzo
The Artist
Doug Aitken was born in 1968 in Redondo Beach. He lives and works in Los Angeles, CA.
Over the last 24 years, Aitken has developed an unparalleled practice that explores the perception of images, narratives, in an ongoing investigation of the 21st century experience. Spatial and temporal dislocation is mixed with a dream like quality. His work often takes the form of immersive video installations; single channel video often projected onto architecture, but is also characterized by text sculptures, architectural and sound works, and photography.
Aitken’s works explore the gulf between the broad saturation and availability of images and the vulnerability of individuals, in a period of massive industrial and environmental changes. In contrast, there is a sensitivity and coolness to the environment in which the works are displayed.
Aitken is the inaugural recipient of the Frontier Art Prize, a new contemporary art award that supports an artist of international stature pursuing bold projects that challenge the boundaries of knowledge and experience to reimagine the future of humanity. He was the recipient of the Golden Lion in the 1999 Venice Biennale.