You don't have to believe me
Paola Pivi
Massimo De Carlo is pleased to present You don’t have to believe me by Paola Pivi. In this new exhibition, the second with our London gallery, Paola Pivi is presenting new and various kinds of works, playing with the viewer’s perception of alien and familiar, fake and factual.
The Italian artist Paola Pivi is know for her whimsical creations, that encompass different mediums, varying from large-scale installations to photography, sculpture and performance. This exhibition offers an insight into the artist mesmerizing use of varied media, and her ability to translate enticing matters into a light-hearted vocabulary of art.
The gallery window stops onlookers by showcasing Bad idea a sculpture of a polar bear, covered in white feathers, smashed flat against the glass: it is not clear if the polar bear is running away from something terrifying or if it is falling as a consequence of an audacious dance move. Bad idea was commissioned by the historical department store La Rinascente Duomo in Milan and shown in their windows during Milan Design week in 2017. Bad idea is part of an iconic body of work composed by colorful polar bears that are inspired by the artists’ time in Alaska, where Paola Pivi has been based for years.
The ground floor is inhabited by a multitude of kinetic works made of constantly rotating bicycle wheels, adorned with birds’ feathers. The titles of the works, such as It makes you wanna have a tattoo and People tell me I look like a jelly fish are as extravagant as the experience of the room itself. The wheels were first exhibited in 2016 at Paola Pivi’s retrospective Ma’am, curated by Justine Ludwig, at Dallas Contemporary art center. Quoting the artist: “You have the wheel, you have time, you have the animal, and when I look at them installed, it's almost like when you rewind a movie. It has that effect. It stops the perception of time for a second. They are trippy. Also, I feel like they tickle your brain.”
The basement hosts a new impressive installation that inspired the title of the show You don’t have to believe me. The installation is an enclosed room where the walls are covered by 52 large format screens and a sound system. The screens display circa 40,000 real images, one on each screen for 3 seconds, while the sound systems plays a human voice that continuously dictates lies. The artist conceived this work in 2013, as a result of having started a lawsuit (together with her husband the composer Karma Culture Brothers) in India against the Tibetan Children’s Village concerning the adoption of their son. Paola Pivi and Karma found themselves in a confusing situation, where lies were used as a tool of aggression against them. In 2017, the couple won all the court cases in India, moved away from India with their son. The artist is now able to display this engulfing work, which explores the concept of truth versus deceptions, facts against the lies of humans. This installation will only be on display until the 6th of May.
The first floor displays a new series of five drawings, large format, scanned and printed on PVC foil: one entirely drawn by the artist, three drawn by Jake Braff on a concept by Paola Pivi, and one drawn by Jake Braff on a concept by Paola Pivi and subsequently painted by Paola Pivi and containing collages by the artist’s son Tenzin Tsering. These drawings are biographical and refer to the four years that the artist spent living in India while fighting together with her husband for the adoption of their son Tenzin Tsering.
Artist
波拉·彼薇1971年生于意大利米兰,她的艺术创作丰富且有趣。
对彼薇来说,艺术释放着表达现实的最大潜力,通过不同媒介传递出最深刻的情感。其作品常以飞机、北极熊和珍珠等可辨认的物体为特色,而她出乎意料地改变了它们,鼓励观者重新考虑物品所代表的先入为主的观念。借此,她创造出独特的乌托邦式的奢华形式,不断探索新的表现手法,突破创作的界限。
彼薇最吸引人的系列之一是珍珠作品。随着珍珠线的积累,画的色彩逐渐减弱,从象牙色到黑色,黑色调的下降反映出皮肤的各种颜色。为了完成作品,彼薇借用了大量牡蛎的“工作”结果。她抓住了艺术家在画布上的创作和牡蛎在珍珠上沉积一层又一层珍珠母的动作之间的相似之处。
彼薇的艺术是对人类经历的陈述,探索现实与想象、平凡与非凡之间的界限。