WANG YUYANG 002

The Moon Landing Project

Wang Yuyang

日期
15.01.2020 | 24.07.2020
画廊
London
文件
OTHER
Vlcsnap 2023 06 21 15h31m01s500

Massimo De Carlo London is pleased to present The Moon Landing Project, a new series of works by Chinese artist Wang Yuyang.

Wang Yuyang (b.1979, Harbin) graduated from China Central Academy of Drama and the Central Academy of Fine Arts. The artist currently lives in Beijing, where he has been teaching at the School of Experiment Art at the Central Academy of Fine Arts since 2008. Yuyang had his first solo museum exhibition in Europe this year, titled CANDLES FOR LANTERNS at Museo Novecento in Florence.

The moon carries a deep affective power that Wang Yuyang has always been attuned to. In constant synchronous rotation with Earth, the moon for Yuyang represents a universal symbol of mankind, controlling the rhythm of time, tidal movements, rains, weather and seasons.

For his first solo exhibition in London the artist presents The Moon Landing Project, a new series of large-scale canvases, filled with luminescent primary colours, to investigate the depths and significance of the earth’s only permanent natural satellite – a subject that has enthralled the artist for a long time. Each canvas in the exhibition is a scientific replica of the moon’s entire surface, tainted by a colourful reminiscence of psychedelic abstraction and a conceptual ingenuity that encompasses the scientific and the mystical.

The Moon Landing Project bridges this gap between scientific inquiry and mystical intrigue. Influenced by a series of images from American artist Michael Light, in which the photographer visually documents the voyage to and from the moon with a sense of breathtaking immediacy. Yuyang delightfully translates the voyage in a further emotive sense, experientially conveying the excitement, disorientation, and awe that the astronauts themselves felt as they were shot into space. By painting through black-and-white filtered glasses,Wang Yuyang cannot be fully aware of the colors he is using while realizing his paintings and therefore adding an element of mystery and mythology to an already overcharged theme such as the Moon and the relationship between us and the universe out there.

In addition to the emotive mysticism of the moon, the artist touches upon the widely speculated conspiracy of the moon landing. The Moon Landing Program 4 2009, presents a dual panel video work encased in a metal, replicating what one imagines as a video projected from the inside of a spaceship. In a lighthearted manner, Yuyang addresses the multifarious rumours of the moon landing being a simulation from Dreamworks studio, refreshing interest in the act of the moon landing yet pairing it with the necessity of technological advance.

Closely connected to astrological beliefs, the moon often represents the realm between the conscious and the unconscious. The realism employed by Yuyang embodies a sense of curiosity towards this grey area, illustrating the peaks and craters of the moon’s surface in uncanny detail, illuminating the canvases like the moon does to our earth at night. In doing so, the artist invites the viewer to contemplate the technicalities and grandiose endeavour of venturing to the moon, and also conjures the mystical power it holds upon mankind.

Wang Yuyang

王郁洋(生于1979年)毕业于中央美术学院实验艺术学院并留校任教至今。目前在北京生活和工作。他的艺术实践聚焦于科技与艺术、自然与人工、物质与非物质之间的关系,常采用跨学科和跨媒介的创作方式。 王郁洋的作品涵盖了人工智能、基因工程、数字媒体、机械装置等多种领域。他利用计算机编程、算法生成和数据可视化等技术手段,创造出了具有动态变化和交互性的艺术形式。王郁洋的作品不仅展现出对科技发展的批判性思考,也充满了对未来世界的想象,往往呈现出一种不可预测的美感,试图挑战观者对现有经验的固有认知。作为一个不断创新和突破的艺术家,王郁洋用现代科技为艺术赋予了新的可能性,拓展了科技艺术的视角和表达方式,具有强烈的社会影响力和文化内涵。

Wang Yuyang