18326 001

Elad Lassry

日期
19.05.2010 | 26.06.2010
地址
Massimo De Carlo, Milano
Galleria Massimo De Carlo is proud to present the first Italian solo exhibition of Elad Lassry’s works. The Israeli-born artist, who lives and works in Los Angeles, will present a large series of photographic works and a film, Untitled (Passacaglia), first presented last February on the occasion of his solo exhibition in the Kunsthalle Zürich.Elad Lassry sees photography as a mere instrument of the artist’s will, thus denying the dialectic relationship between means and meaning. With his flawless technique, Lassry produces in a painstakingly detailed way animals, objects, environments, and people, underlining the clearness of shades, lights and shadows, in a perfect formal and compositional balance. The choice of the frames plays a fundamental role, highlighting the magic link between the content and its container.Elad Lassry’s works adopt a transversal approach to the questions of the fruition of art, perception, and the present-day aesthetics of images, thus re-discovering analogical thinking and introducing new uses and different meanings. In his studio, the artist carries on a meticulous reconstruction work to reproduce a meta-reality in which subjects are presented as abstract entities and the image can become a decorative element of parts usually considered to be non-essential, such as shadows, colours, shades, and lights. The artist sometimes takes images from publications or photographic archives and then modifies them skilfully erasing some details (that is the case, for example, of the series dedicated to Anthony Perkins, a famous American actor who passed away in 1992, in which the originally portrayed actor had been omitted), or covering faces and bodies with thin coloured aluminium strips.Through his film Untitled (Passacaglia), Elad Lassry continues his research into images and the cultural references of today’s society. The artist draws inspiration from a 1966 documentary made for public television, centered on the 1938 choreography Passacaglia by Doris Humphrey, one of the pivotal characters in modern dance. Like in his photographic works, in his 15-minute Super 16mm film nothing is left to chance. Rather than on the single elements represented, the New York City Ballet dancers’ costumes, the painting in the background based on the 1916 Robert Delaunay canvas Tall Portuguese Woman, the camera’s position and movements, the choreographed poses and steps, and the absence of sound turn the watcher’s attention to the nature of visual perception and the relationship being forged between the seeing subjects and the seen object.Elad Lassry was born in 1977 in Tel Aviv. He lives and works in Los Angeles. His solo exhibitions include the one in the Kunsthalle Zürich (2010), the one at New York’s Whitney Museum of American Art in 2009, and the one at the Art Institute of Chicago in 2008. His works were featured in several collective exhibitions, among which The Reach of Realism at the Museum of Contemporary Art in Miami (2009), Dance with Camera at the Institute of Contemporary Art in Philadelphia (2009), and The Generational: Younger Than Jesus at the New Museum in New York (2008).
Elad Lassry

埃拉德·拉斯瑞1977年生于特拉维夫,目前工作生活在洛杉矶。


埃拉德·拉斯瑞从大量来源中创作并重新发掘图像,将其部署到多种媒体中,包括摄影、电影、绘画和雕塑。


拉斯里将其比例相同的图像描述为“悬浮在雕塑与图片之间”。艺术家不断操纵虚拟和实际的空间。每幅图像都建立了一个虚拟空间,框架并非图像的补充,而是作为延伸,为其开辟一个实际空间。拉斯里将图像部署为一个模糊并能自由浮动的标记,与框架相结合,创造出新的组合条件。此类混合实体变成一种认识论难题,吸引观众的感知能力。其对象性如何影响我们对图像的阅读?图像的主题又如何影响我们对物体的感知?


拉斯里的作品被众多机构永久收藏,包括:纽约现代艺术博物馆;古根海姆博物馆,纽约;沃克艺术中心,明尼阿波利斯;惠特尼美国艺术博物馆,纽约;洛杉矶当代艺术博物馆,洛杉矶;芝加哥艺术学院,芝加哥。

Lassry Portrait 01