George Condo

George Condo was born in Concord, New Hampshire (USA) in 1957. Lives and works in New York.
''Il volo di George Condo, dalla realtà all'immaginario'', Arte, August 2018, 50.
Halperin, Julia. ''Can’t Wait for Michael Flynn’s Trial? Now George Condo Has Painted It in Advance'', Artnet News, 2017.
Trembley, Nicolas. ''L'artiste du Mois George Condo'', Numéro, December 2017.
''Instaman'', Baku, n. 18, Winter 2016, p.123.
Condo, . ''che cosa sta preparando George Condo'', SETTE - corriere della sera , April 4th 2014, 107.
Condo, . ''che cosa sta preparando George Condo'', SETTE - corriere della sera , April 4th 2014, 107.
Tomkins, Calvin. ''Portraits of Imaginary People'', The New Yorker, n. 4, January 17 2011, pp.56-65.
Casavecchia, Barbara. ''La vita è un horror esilarante'', D la Repubblica, April, 30 2011.
Spampinato, Francesco . ''George Condo: Mental states'', Kaleidoscope, n. 10, Spring 2011, p.79.
Valdés, Josefina. ''George Condo - la comedia humana'', ALLIMITE, n. 48, May - June 2011, pp. 40 - 49.
Crochet, Alexandre. ''My Fair London! - Foires d'art et de design à Londres'', Beaux Art magazine, n. 328, October 2011, pp. 129 - 130.
, AAVV. ''George Condo'', ARTFORIUM - The best of 2011, n. 4 - Vol. 50, December 2011, p. 96.
''George Condo'', ARTFORUM, n. 4 Vol.50, December 2011, 96.
Kuspit, Donald. ''George Condo'', Artforum, May 2010, pp. 252-253.
Coburn, Tyler. ''George Condo: Family Portraits'', Art Review, n. 41, May 2010, p. 104.
How Soon Now, exhibition catalogue, Rubell Family Collection, Miami, 2010.
George Condo, exhibition catalogue,. Bruxelles, Xavier Hufkens, 2009.
The Lost Civilization, exhibition catalogue,. Parigi, Fondation Dina Vierny-Musée Maillol, 2009.
Gioni, Massimiliano. ''George Condo'', Flash Art, n. 278, 2009, pp. 56-59.
Casadio, Mariuccia. ''Retrieve'', Vogue Italia, n. 711, 2009.
Holzwarth, Hans Werner. Art Now Vol. 3, 2008, pp. 96-99.
George Condo: Artificial Realism, exhibition catalogue,. Mosca, Gary Tatintsian Gallery Inc., 2008.
Influence. Mary-Kate Olsen and Ashley Olson. New York, Razorbill, 2008, pp. 50-59, p. 260.
Out of Shape: Stylistic Distortions of the Human Form in Art From the Logan Collection. Poughkeepsie: The Frances Lehman Loeb Art Center, Vassar College, 2008, p. 19, p.54.
''George Condo'', Art World, 2008, PP. 62-67.
''Art in Review: George Condo'', The New York Times, 2008, p. E29.
Bryant, Eric. ''George Condo'', ARTnews, 2008, p. 147.
''Condo Condo'', Art + Auction, 2008, p. 23-.
''George Condo’s Christ the Subjective Nature of Objective Representation'', , 2008.
''George Condo'', The New Yorker, 2008.
Mack, Joshua. ''George Condo: Christ: The Subjective Nature of Objective Representation'', Time Out New York, n. 651, 2008, p. 103.
McCormick, Carlo. ''George Condo, Memory is the Medium'', Whitewall, n. 10, 2008, p. 14, pp. 128-139.
''Seeing Warhol: 14 Artist Reflect His Vision, and Dozens of Friends Remember Him'', Interview, 2008, p. 111.
Impulse: Works on Paper from the Logan Collection. Vail: The Logan Collection Vail, 2007, pp. 8-9, pp. 22, 36, 38.
Caruso, Laura. Radar: Selections from the Collection of Vicki and Kent Logan. Denver, Denver Art Museum, 2007, pp. 76-79.
Create your own Museum: Highlights from a Private Collection, exhibition catalogue,. Mosca, Gary Tatintsian Gallery, 2007, pp. 38-43.
Negotiating Reality: Recent Works from the Logan Collection. Denver, University of Denver, 2007, pp. 24-25, p. 68.
Bevan, Roger. ''Contemporary: Sales treble in two years'', The Art Newspaper, 2007, p. 51.
Buck, Louisa. ''Protest is so this year, darling'', Art Newspaper, n. 177, 2007, p. 35.
Buck, Louisa. ''I like art that take risks'', The Art Newspaper, n. 177, 2007, p. 36.
Cattelan, Maurizio. ''Interview with George Condo: Painting is the Big Casino in the Sky'', Whitewall, n. 17, 2007, p. 42.
Fels, Sophie. ''Meet the Artists'', Time Out New York, n. 603, 2007, p. 72.
, G.A.. ''British peer buys Condo’s controversial Queen'', The Art Newspaper, n. 177, 2007, p. 45.
Higgie, Jennifer. ''Time’s Fool'', Frieze, 2007, p. copertina, pp. 110-117.
Lind, Alexander. ''New Luxury Condos'', Art + Action, 2007, p. 203.
Gleadell, Colin. ''Breaking Records'', Art Monthly, n. 305, 2007, p. 35.
Gleadell, Colin. ''Roller Coaster Ride'', Art Monthly, n. 303, 2007, p. 39.
Herbert, Martin. ''George Condo: Simon Lee, London'', Art Review, n. 10, 2007, pp. 136-137.
Plagens, Peter. ''Fake Tiepolos and the Cabbage Patch Queen'', Art News, n. 7, Volume 106, 2007, pp. 182-185.
Sanders, Mark. ''Team Art'', AnOtherMan, n. 5, 2007, pp. 94-95.
Schwender, Martha. ''A Fair’s Strategy: Solo Artists, Themes and Specters of Blockbusters'', The New York Times, 2007, p. E40.
Ward, Ossian. ''Curious George'', Time Out London, n. 1903, 2007, p. 40.
Wintour, Anna. ''Power Flowers'', Vogue, 2007, p. 210.
Wintour, Anna. ''Masterpiece Theater'', Vogue, 2007, pp. 362-379.
Over the Limit, exhibition catalogue,. Atene, Athens: Portalakis Collection, 2006.
40 ans: Galerie Daniel Templon. Paris: Communicart, 2006, pp. 359-360. p. 476.
Infinite Painting: Contemporary Painting and Global Realism. Codroipo, Villa Manin Centro d’Arte Contemporanea, 2006, pp. 54-55.
Richer, Francesca e Matthew Rosenzweig. No.1: First Works by 362 Artists. New York, 2006.
Vous etes ici (You are here), exhibition catalogue,Auvergne FRAC (Fonds Régional d’Art Contemporain d’Auvergne), 2006, pp. 86-89.
Art, n. 12, 2006, p. 123.
Brooks, Richard. ''Nightmare of the Cabbage Patch Queen'', The Sunday Times, 2006, p. 3.
Brooks, Richard. ''George Condo & Nigel Cooke at Blum & Poe'', ARTnews, n. 5, Volume 105, 2006, pp. 176-177.
Cohen, David. ''Latter-Day Surrealists on the Comeback Trail'', The New York Sun, Arts & Letters, 2006, p. 15.
''Conference Highlights'', The Record, Columbia University in the City of New York, n. 12, Volume 31, 2006, p. 7.
Hope, Bradley. ''It’s My First Opera. I’m Going To Stay For the Whole Thing'', The New York Sun, 2006, pp. 1, 4, 14, 17.
Kalm, James. ''George Condo'', The Brooklyn Rail, Artseen, 2006.
Kazanjian, Dodie. ''Paging Picasso: Pablo on my mind'', Vogue, 2006, pp. 673-674.
Gordon, A. L. . ''Collector’s Night In'', The New York Sun, 2006, p. 13, p. 18.
Mueller, Stephen. ''Funny, Elegant And Frightening'', Gay City News, 2006, p. 22.
Tomkins, Calvin. ''Studio Visit. The Queen, Continued'', The New Yorker, 2006, p. 35.
Vogel, Carol. ''Where Bel Canto Meets Paintbrush. At New Met Opera Gallery, Artists Create Images of Heroines'', The Arts, The New York Times, 2006, p. E1.
Wright, Karen. ''Kerouac & Me'', Modernpainters, 2006, pp. 72-79.
George Condo: Existential Portraits. Sculptures, Drawings, Paintings 2005/2006, exhibition catalogue, Luhring Augustine, New York. Berlin, Holzwarth Publications, 2006.
Binstock, Jonathan P. e Stacey Schmidt. Closer To Home. The 4th Corcoran Biennal. Corcoran Gallery of Art, 2005, pp. 36-39, p. 86.
Kellein, Thomas. George Condo. One Hundred Woman. Bielefeld: Kunsthalle Bielefel, Ostfildern-Ruit: Hatje Cantz Publishers, 2005.
Post Modern Portraiture from the Logan Collection, exhibition catalogue,Vail: The Logan Collection Vail, 2005, pp. 42-43, 92-93, 150-151.
Atwood, Roger. ''The 48th Corcoran Biennal'', Artnews, n. Volume 104, 2005.
Bellini, Andrea. ''The East Village Revisited'', Flash Art, 2005, pp. 60-63.
Koeppel, Fredric. ''Brush in a Rush'', The Commercial Appeal, Art. Books, Culture section, 2005, p. A18.
Modern Painters, 2005, pp. 100-103.
O’Sullivan, Michael. ''The Corcoran in Earnest'', The Washington Post Weekend, 2005, p. 47.
Smith, Roberta. ''George Condo'', The New York Times, 2005, p. E34.
A New Modernism for a New Millenium: Abstraction and Surrealism Are Reinvented in the Internet Age. The Logan Collection Vail, 2004.
Cameron, Dan, Liza Kirwin e Alan W. Moore. . East Village, NY, New Museum of Contemporary Art, 2004, p. 26.
Coetzee, Mark. Not Afraid. Rubell Family Collection. Phaidon Press, 2004, pp. 50-51.
Fleissig, Peter. George Condo. Memories of Manet and Velazquez. Parigi, Galerie Jérome de Noirmont, 2004.
Perspective 25. A Quarter Century of New Art in Houston. Contemporary Arts Museum Houston, 2004.
Hrbacek, Mary. ''George Condo, Biggs Robinson'', The New York Art World, 2004, p. 12.
Johnson, . ''George Condo, Paintings From the Eighties'', The New York Times, 2004.
The Oxford American, n. 52, 2004, p. 93.
Sanders, Mark. ''George Condo. The Condo Effect'', Another Magazine, 2004, pp. 410-423.
Smith, Roberta. ''Looking Back At the Flurry On the Far Side'', The New York Times, Weekend Fine Arts Leisure section, 2004, pp. E35-E36.
Skupin, Bernd. ''Mein Bild Von Ihr'', German Vogue, 2004, pp. 514-527.
Kellein, Thomas. George Condo: Sculpture. Zürich: Caratsch de Pury & Luxembourg, Galerie Bruno Bischofberger, 2003.
Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art. Contemporary Arts Museum Houston, 2003, p. 93.
Colpitt, Francis. ''Learning From Comics'', Art in America, 2003, pp. 64-67.
Wilder, Matthew. ''George Condo and Nigel Cooke'', ARTFORUM.COM, 2003.
Hopkins, Randi. ''Artists & Antipodes'', The Boston Phoenix, 2003, p. 3.
Ahead of the 21st Century: The Pisces Collection, exhibition catalogue,Hatje Cantz Publishers, 2002, pp. 43-53.
Rugoff, Ralph. The Imaginary Portraits of George Condo. New York, Power House Books, 2002.
Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection. Los Angeles, The Los Angeles County of Art, 2002.
Cotter, Holland. The New York Time, 2002, p. E36.
Kino, Carola. ''Back on the Radar'', Art & Auction, 2002, p. 141.
''Review of reviews: Art, Where to Buy... A Selected Exhibition In a Private Gallery'', The Week, 2002, p. 27.
''A Few Galleries Slated for Art Basel/Miami Beach'', Fine Magazine, n. 1, 2001, pp. 116-117.
Condo Televised Silkscreens. Newton, Abaton Book Company, 2001.
George Condo. Physiognomical Abstraction. Parigi, Galerie Jérome de Noirmont, 2001.
Mythic Proportions. Painting in the 1980’s. North Miami, Museum of Contemporary Art, 2001.
Glaser, Sheila F.. ''The Arts'', Madison, 2001, pp. 110-115.
''George Condo: The Art of the Deal. In the Renaissance, new money bought lasting beauty'', The New York Times Magazine, 2001, pp. 84-85.
Johnson, Ken. ''George Condo/Pace Wildenstein'', The New York Times, 2001, p. B42.
Kotur, Alexandra. ''Art Up and Down'', Vogue, 2001, p. 161.
Nassau, Lawrence. ''Televised Silkscreens'', NY Arts, 2001, p. 70.
Dickhoff, Wilfried. After Nihilism: Essays on Contemporary Art. Cambridge, Cambridge University Press, 2000.
Drawings 2000 at Barbara Gladstone Gallery. New York, Barbara Gladstone Gallery, 2000.
Bensinger, Ken. ''Artifact... Painter George Condo'', The Wall Street Journal, 2000, p. W16.
Campbell, Bob. ''Portait of an Artist Yields Dreary Canvas'', Newhouse Newspapers, 2000.
Dannatt, Adrian. ''NY artist Q & A: George Condo'', The Art Newspaper (London), 2000, pp. 73-74.
Fine, Marshall. ''Condo Painting A Portrait In Incomprehensibility'', Cannett Syndacate (The Journal News), 2000.
Frimbois, Aurore. ''Imaginer, Coller!'', Art Actuel (Paris), 2000.
''Studios By the Sea'', Vanity Fair, 2000, pp. 138-154.
Anton, Saul. ''All That Jazz'', Time Out New York, 1999, p. 120.
George Condo: Portraits Lost In Space. New York, Pace Wildenstein and Deitch Projects, 1999.
''Arts & Leisure Guide: George Condo'', The New York Times, 1999, p. 47.
Johnston, Andrew. ''Condo Painting'', Time Out New York, 1999, p. 85.
Kelly, Brett. ''Running Time: The Unbearable Lightness of Painting'', New York Magazine, 1999, p. 103.
Kino, Carola. ''George Condo at Pace Wildenstein and Deitch Projects'', Art In America, 1999, pp. 154-155.
Knight, Christopher. ''Paintings Take a Serious Look at Cartoonish Human Nature'', , 1999.
Scott, A. O. ''Film Review: Letting an Artist Explain, Whether It Helps or Not'', The New York Times, 1999.
Seymour, Gene. ''Realism, as the Painter Sees It'', Newsday, 1999, p. B7, p. B11.
Winter, Jessica. ''Flaming Creatures: Kitsch or Kill'', Village Voice, 1999, p. 130.
Fitzgerald, Michael. George Condo: Collage Paintings. Pace Wildenstein, 1998.
Collings, Matthew. It Hurts: New York Art from Warhol to Now. 21 Publishing, 1998, pp. 139-143.
Ruiz Picasso, Bernard. Pages de Garde/End Papers. Pace Wildenstein, poems by Ruiz Picasso, illustrations by George Condo, 1998.
Dietsch, Scott. ''Familiar Faces from TV at Sandra Gerin Gallery'', The Villager, 1998.
Griffin, Tim. ''George Condo and William Burroughs: Collaborative Works, 1988-1996'', Time Out New York, 1998, p. 51.
Levin, Kim. ''George Condo'', The Village Voice, exhibition review, 1998, p. 74.
MacAdam, Barbara. ''William Burroughs and George Condo'', ARTnews, 1998, p. 180.
''Mondo Condo'', TimeOut, 1998, p. 48.
Pedersen, Victoria. ''Foreign Body’s'', Gallery Go’Round, Paper Magazine, exhibition review at Pat Hearn Gallery, 1998.
Pedersen, Victoria. ''Gallery Go’Round'', Paper Magazine, exhibition review, 1998, p. 104.
Pinchbeck, Daniel. ''Our Choice of New York Contemporary Galleries'', The Art Newspaper (London), 1998.
Schjedahl, Peter. ''Dumb and Smarter'', The Village Voice, exhibition review, 1998, p. 143.
''Talent Condo'', New York, exhibition review, 1998, p. 70.
Tomkins, Calvin. ''High Styles'', The New Yorker, 1998, p. 64.
Smith, Roberta. ''George Condo'', The New York Times, 1998, p. E39.
Sparrow, . ''Condo’s Abstract Cartoons'', New Reinassance, n. 2, Volume 8, 1998, p. 31.
''Why Monaco’s Caroline Likes NYC Condo'', Daily News, 1998, p. 39.
Davvetas, Demosthenes. Dialogues, France: Au Meme Titre. Parigi, Jouvre, 1997.
Ginsberg, Allen. Selected Poems, New York. Harper Collins (Cover portrait by George Condo), 1997.
Johnson, Ken. ''George Condo and William Burroughs: Collaborations 1988-1996'', The New York Times, 1997, p. E40.
Lemon, Brendan. ''By George, He’s Got It'', Interview, 1997, p. 36.
Schaub, Martin. ''Allen Ginsberg’s Letzte Worte'', Tages, Anzeiger, 1997.
Pederson, Victoria. ''Gallery Go ‘Round'', Paper Magazine, 1997, p. 132.
Steuer, Joseph. ''October Shows Off its Condo'', The Hollywood Reporter, 1997, p. 8.
Chateau, Dominique. ''Kant Goes Condo: A Short Critique of Pure Aesthetics'', Artpress (Paris), 1997, pp. 42-45.
D’Annunzio, Grazia. ''George Condo'', L’Uomo Vogue (Italy), 1997, pp. 396-403.
Karmel, Pepe. ''Art in Review'', The New York Times, 1997, p. C32.
Bußmann, Klaus , Kasper König e Florian Matzner. Skulptur Projekte in Münster1997, exhibition catalogue, Westalisches Landesmuseum, Munster, 1997.
Le Thorei-Daviot, Pascale. Petit dictionnaire des artistes contemporains. Parigi, Bordas, 1996.
Myths and Magical Fantasies. Escondido, California Center for the Arts Museum, 1996.
Kuspit, Donald. George Condo: Paintings and Drawings. New York, Pace Wildenstein, 1995.
Brown, Glenn. ''A Brush With Genius: 20, Glenn Brown on George Condo’s Clownmaker'', Guardian, 1995, p. 9.
Cheung, XiangXiang. ''Galleries Test Taiwan Art Fair'', ARTnewsletter, 1995, pp. 4-5.
Codrington, Andrea. ''George Condo at Bischofberger'', Art & Auction, 1995, p. 64.
''Goings on About Town: Art, Galleries Uptown'', The New Yorker, 1995, p. 27.
Goodwin, Betty. ''Gallery Party Leaves ‘Em out on the Streets'', Los Angeles Times, 1995.
Newhall, Edith. ''Preview: Art, Galleries'', New York Magazine, 1995, p. 60.
Pedersen, Victoria. ''Gallery Go ‘Round: Senses and sensibilities'', Paper Magazine, exhibition review, 1995, p. 131.
Burroughs, William S.. George Condo: Recent Paintings. New York, The Pace Gallery, 1994.
Ashenburg, Katherine. ''Having Your Fill of New York’s Art'', The New York Times, 1994, p. 14, p. 35.
Condo, George. ''Harvest from Young at Art: Miro at 100'', Artforum, 1994, p. 81.
Cotter, Holland. ''George Condo at Bruno Bischofberger'', Art in America, 1994, p. 111.
Jones, K. Marriott. ''George Condo/Pace Gallery'', Artforum, 1994, p. 85.
Levin, Kim. ''Voice Choices: Art'', The Village Voice, 1994, p. 71.
Picasso, Sydney. ''Condo sur tous les tableaux'', Vogue, 1994, pp. 56-57.
Saltz, Jerry. ''A Year in the Life: Tropic of Painting'', Art in America, 1994, pp. 90-101.
Drawing the Line Against AIDS. American Foundation for AIDS Research (AmFAR) International, 1993.
Wilson, Adolfo e Namia Mondolfi. Materia, Imagen y Concepto: Un Recorrido por el Arte Contemporaneo Internacional. Caracas, Galeria Namia Mondolfi, 1993.
Condo, George e William Burroughs. ''Interaction Between Artists and Writers'', Art Journal, 1993, p. 78.
Killer, Peter. ''Brüder im Geist'', Tages Anzeiger, Züritipp, 1993, p. 34.
Kurjakovic, Daniel. ''George Condo - Bruno Bischofberger'', Flash Art, 1993, p. 120.
Morera, Daniela. ''Personal Diary by George Condo December 10, 1957'', Vogue Italia, 1993, pp. 102-109, p. 197.
Ricard, Rene. ''Retro Activist'', Vogue, 1993, p. 140.
Smith, Roberta. ''Classics From the Whitney Permanent Collection'', The New York Times, 1993.
Textor, Ingrid. ''George Condo'', Voir, 1993, p. 40.
Schwartzman, Allen. ''Can I Interest You In a Schnabel, Mr Oritz?'', The New York Times Magazine, 1993, pp. 31-50.
Bonet, Juan Manuel. George Condo. Barcellona, Galeria Salvador Riera, 1992.
La Linea Quebrada y Extractos de “El Gran Jefe”, George Condo: Obra 1990-1992. Madrid, Galeria Soledad Lorenzo, 1992.
Dickhoff, Wilfried e Reiner Speck. Ars Pro Domo. Colonia, Gesellschaft fur Moderne Kunst am Museum Ludwig, 1992.
Le Portrait Dans L’Art Contemporain. Musée d’Art Moderne et d’Art Contemporain. Nizza, 1992.
Rose, Bernice. Allegories of Modernism: Contemporary Drawing. New York, The Museum of Modern Art, 1992.
Bonet, Juan Manuel. ''George Condo y el desasosiego'', ABC de las Artes (Madrid), 1992.
Bonney, Anney. ''George Condo'', Bomb Magazine, 1992, pp. 34-39.
Clements, Marcelle. ''SoHo on the Seine'', Esquire, 1992.
Danvilla, Jose Ramun. ''Im genes e ideas confrontadas'', Guia del Ocio (Madrid), n. 849, 1992.
Danvilla, Jose Ramun. ''George Condo, la memoria compartida'', El Punto de las Artes (Madrid), 1992.
Fernandez-Cid, Miguel. ''Un dialogo drastico'', Diario 16 (Guia de Madrid), n. 208, 1992.
Kalina, Richard. ''George Condo at Pace'', Art in America, 1992, p. 113.
Karcher, Eva. ''Amzsiertes Genie'', Pan, 1992, pp. 61-66.
Kimmelman, Michael. ''Just What Is a Drawing? Definitions, Definitions'', The New York Times, 1992, p. C29.
Larson, Kay. ''Drawing Conclusions'', , 1992, pp. 60-61.
Concha, Luna. ''En el Punto de la Noticia'', El Punto de las Artes, 1992.
Perl, Jed. ''Breakthrough, idyll, icon, allegory'', The New Criterion, 1992, pp. 48-53.
Schjeldahl, Peter. ''Drawing Blood'', The Village Voice, 1992, p. 85.
Serraller, F. Calvo. ''Mas allade la apropriacion y el eclecticismo'', El Pais (Madrid), 1992.
Tully, Judd. ''Where’s Baghoomian'', Art & Auction, 1992, pp. 22-24.
Zaya, Octavio. ''En mi pintura, la simultaneidad y el ritmo juegan un papel especial'', Diario 16 (Madrid), 1992.
Burroughs, William S. e George Condo. Ghost of a chance. New York, Whitney Museum of American Art, 1991.
Cervantes, Miguel, Charles Merewether e Francesco Pellizzi. Mito y Magia en América: Los Ochenta. Museo de Arte Contemporaneo de Monterrey, 1991.
Dickhoff, Wilfried. ''In Ictu Oculi: The Post-Nondeconstructive Paintings of George Condo'' in George Condo: Recent Paintings. New York, The Pace Gallery, 1991.
Condo, George. Art Random. Kyoto, Kyoto Shoin International, Co., Ltd, 1991.
Honnef, Klaus. Kunst der Gegenwart. Colonia, Taschen, 1991.
Riley, Charles A.. II Sélection. Pully/Lausanne, Musée d’Art Contemporain, 1991.
Weinberg, Adam D.. Aldo Crommelynck: Master Prints with American Artists. New York, Whitney Museum of American Art at Equitable Center, 1991.
Bouzerand, Jacques. ''Arts: Special New York'', Le Point, 1991.
Cameron, Dan. ''Good-bye to All That?'', Art & Auction, 1991.
''Goings On About Town: Galleries'', The New Yorker, 1991, pp. 14-15.
Jones, Bill. ''American Artists of the ‘80s'', Tema Celeste, 1991, p. 84.
Kuspit, Donald. ''Tart Wit, Wise Humor'', Artforum, 1991, pp. 93-101.
Leimbach, Dulcie. ''Currents: A Coloring Book Fit for an Artist'', The New York Times, 1991.
Levin, Kim. ''Choices: Art'', The Village Voice, 1991, p. 110.
Michard-Pellissier, Florence. ''Condo entre deux escales'', Vogue (French edition), 1991, p. 71.
Pedersen, Victoria. ''Reviews: George Condo'', Flash Art, 1991, p. 138.
Pergament, Annika. ''Student art collector presents his collection at DUMA'', Chronicle (Union College), 1991.
Picasso, Sydney. ''Contemporaine'', , 1991.
Picasso, Sydney. ''Derriere la toile, la musique...'', Art, 1991, p. 238.
Rimanelli, David. Artforum, 1991.
''Expos: Portrait Of An American Gallery'', Kiosque, 1990.
''Golings On About Town'', The New Yorker, 1990.
Bataillon, Francoise. ''George Condo: Purger la peinture'', Beaux Arts, 1990.
Dagen, Philippe. ''Peinture de memoire'', Le Monde, 1990, p. 11.
Godard, Agathe. ''Alain Senderens cuisine en Technicolor pour George Condo'', Paris-Match, 1990.
Goy, Bernard. Journal of Contemporary Art, 1990.
Hahn, Otto. ''Les stimuli du simili'', Paris L’Express, 1990, pp. 67-68.
Kolokithas, Dawn. ''Artists for the 90’s'', Paris Passion, 1990, p. 19-21.
Legros, Herve. ''La Peinture Recitee'', Panorama du Medecin, 1990.
Lloyd, Jill. ''Power and the Cult of Fragments'', ArtInternational, 1990, pp. 72-74.
Moody, Tom. ''Putting Ideas on Display'', The Dallas Morning News, 1990.
Pradel, Jean-Louis. ''George Condo: Scattered Bum Heads'', L’évènement du Jeudi, 1990, p. 138.
Schels, Evelyn. ''Der Impulsive George Condo'', Elle, 1990.
Raynor, Vivien. ''George Condo'', The New York Times, 1990.
Spazio Uomo, n. 4, 1990, p. 64, p. 85.
Zaya, . ''George Condo y Milan Kunc'', Diario, 1990, p. 4.
''Pharmakon ‘90'', , 1990.
''1979-1989 American, Italian, Mexican Art From the collection of Francesco Pellizzi'' in, exhibition catalogue,. Hempstead, NY, Hofstra Museum, 1989.
George Condo. Londra, Waddington Galleries, 1989.
''Bilderstreit'', , 1989.
''George Condo'', , 1989.
Geldzahler, Henry. ''On George Condo'', George Condo: Paintings and Drawings. The Pace, 1988.
Huff, T.J.. ''George Condo at the Carpenter Center for the Visual Arts'',, 1988.
''George Condo. Painter'', , 1988, P. 12.
Yablonsky, Linda. ''George Condo'', ART & AUCTION, 1988, pp. 22-26.
Enright, Robert. ''The Undiscovered Familiar: The Art of George Condo'', BORDERCROSSINGS, n. 86, Volume 22, 1988, pp. 18-34.
La Placa, Joe. ''Top Man. Simon Lee Has Got It All: A Stunning New Gallery, Powerful Partners and Artists To Die For. And He’s Only Just Getting Started'', ARTREVIEW, International Edition, 1988, pp. 70-71.
''January Picks'', NY ARTS International Edition, 1988, p. 57.
Lebowitz, Cathy. ''George Condo'', , n. Volume 21, 1988, pp. 106-109.
Armstrong, Richard, John Hanhardt e Richard Marshall. Biennal Exhibition. New York, Whitney Museum of American Art, 1987.
Condo, George e Mark Dagley. . New York, Tony Shafrazi Gallery, 1987.
Dickhoff, Wilfried. Expanding Canvas or The Alter-Ego Strikes Back, George Condo: Paintings & Drawings 1985-87. Zurigo, Edition Gallery Bruno Bischofberger, 1987.
Dickhoff, Wilfried. The Being of Nothingness - Notes on the existential abstraction in George Condo’s paintings. New York, Barbara Gladstone Gallery, 1986.
Dickhoff, Wilfried. Primer Salòn Irrealiste. Santa Cruz de Tenerife, Galeria Leyendecker, 1986.
Dickhoff, Wilfried. What It Is, exhibition catalogue,. New York, Wilfried Dickhoff & Tony Shafrazi Gallery, 1986.
George Condo. Tokyo, Akira Ikeda Gallery, 1986.
Godfrey, Tony. The New Image, Paintings in the 1980’s. New York, 1986.
Saltz, Jerry. Beyond Boundaries. New York, 1986.
Thomas, Karin. Bis Heute. Colonia, 1986.
Dickhoff, Wilfried. Vor-Schein oder Aschenglanz. . Künstliche Paradiese. Kunstverein München and Museums Folkwang, Essen, 1985.
Dickhoff, Wilfried e Wolfgang Drechsler. Phase II. Graz, Steirischer Herbst ‘85. Stadtmuseum, 1985.
Flood, Richard. Das Vertigo Paradigma. Essen, Künstliche Paradiese. Kunstverein München and Museum Folkwang, 1985.
Becker, Robert. ''George Condo and David Bowes'', Interview, 1985.
Beyer, Lucie. ''We Light the Candle in the Cave'', Flash Art, 1985.
Beyer, Lucie e George Condo. ''Nous allumons une bougie dans une caverne, Poeme ecrit par un Americain (...)'', Flash Art, n. 9, 1985, p. 20-21.
Collings, Mathew. ''Nothing is Important'', Artscribe, n. 55, 1985.
Dickhoff, Wilfried. Review Wolkenkratzer, n. 6 Domus, 1985.
Evans Clark, Phillip. Review, Art Press, 1985.
Evans-Clark, Phillip. ''Neo-Surrealism, or the Archetype of the Artist as an Ostrich'', Arts Magazine, n. 4, 1985, pp. 26-31.
Indiana, Gary. ''George Condo at Barbara Gladstone and Pat Hearn'', Art in America, 1985, p. 175.
''La Casa di Maria'', Domus, 1985.
Mouffarage, Nicolas. Flash Art, 1985.
Nemeczek, Alfred. ''Neue Aktualitat des Portraits'', Art, n. 1, 1985.
''GMHC Art Auction'', Sotheby’s, 1985.
Pincus-Witten, Robert. ''Entries: Analytical Pubism'', Arts Magazine, 1985.
Pohlen, Annelie. ''Nouveau Boheme'', Kunstforum, 1985.
''Portfolio ‘Heads'', Paris Review, n. 98, 1985.
Trebay, Guy. ''An Opinionated Review of the Week’s Events'', The Village Voice, 1985.
Van Nieuwenhuyzen, Martijn. Museum Journaal 1, 1985.
Vettese, Angela. ''Europe and America: Two Aspects of the New Surreal'', Flash Art, n. 122, 1985.
Vettese, Angela. ''Europe et Amerique: Deux aspects du nouveau surreel'', Flash Art (French edition), n. 9, 1985.
Perspective 1984. Basilea, Basel Art Fair, 1984.
Beyer, Lucie. Flash Art, 1984.
Glueck, Grace. The New York Times, 1984.
Koether, Jutta. ''25 Bilder von George Condo'', Wolkenkratzer, 1984.
Glueck, Grace. ''Intoxication'', The New York Times, 1983.
Pincus-Witten, Robert. L.A. Times, 1983.
Arts Magazine, 1983.
Sussler, Betsy. Bomb Magazine, 1983.
William Burroughs George Condo Collaborations 1988-1996. New York, Pat Hearn Gallery, 1998/97.